Although the story of The Tempest seems to be original to Shakespeare (unlike most of his other plays), he was inspired by a number of other texts. It seems to me that the meaning and power behind a name is also at play. I find that Shakespeare’s plays always contain a significant amount of underlying context and I feel that this blogpost explicated a great deal of that in regard to the origin and significance of Caliban’s name. Lim college essay prompt. And as Philip Bouchard has written, the Spanish found these “grossly distorted charges of man-eating” quite useful in justifying the enslavement and depopulation of Carib people. This helps tie in the role of many conquered people and whether or not these Incan people or even the Native Americans from fall quarter were as bad they were portrayed to be. I found it very interesting that this blog went in depth into the actual origin of this word in order to show another possible interpretation to ponder when trying to understand the name of Caliban. Thus, in modern Arawak (spoken by the Lokono people in Suriname and neighboring Guyana), the word has become karipna; the Garifuna, descendants of Island Caribs and Africans who live on the eastern coasts of Central America, took the word as their name; in the jungles of southern Venezuela, another Cariban group call themselves the Carihona (Aikhenvald 41-43). I believe that his name is most likely reflective of the image of the indigenous people and portrays their mistreatment by the Spanish and European colonizers. Caliban learns that Stephano is neither a god nor Prospero's equal in the conclusion of the play, however, and Caliban agrees to obey Prospero again. However, your expansive analysis of the various versions and interpretations of the word cannibal, from its Caribbean origins to the Spanish/European interpretation of indigenous people to even a possible Arabian insult, convinced me that Caliban is indeed reflective of the word cannibal, but not its contemporary form, rather the one you described in the post. One small thing that stuck out to me, though, was that you said it was important that Caliban’s name was given to him by his mother Sycorax, not Prospero. It was very interesting to read the possible etymology of Caliban’s name, and I can’t help but wonder about Shakespeare’s real attitude towards this topic, especially when you alluded to it right at the very end of your blog post. We might recall here Matthew Restall’s claim that Europeans saw the native inhabitants of the Americas as “cultureless, innocent, or nefarious” (105) and note that these characterizations seem to develop immediately upon contact between Columbus and the people of the New World. Another source often held up as an inspiration for Shakespeare’s play is William Strachey’s account of the Sea Venture Shipwreck, “A True Repertory of the Wreck and Redemption of Sir Thomas Gates, Knight,” in which he surmises that the pigs came as the result of having “escaped out of some wracks” previous to the tempest that drove Sommers and his crew there. So, I think it is possible that Shakespeare is on Prospero’s side, and scholars have often pointed to the similarities between Prospero’s character and Shakespeare’s role in the theater, and thus believes he is justified in enslaving Caliban. The descendants of these people still live today along the coast of Central America. I never really considered that there was a possibility that the names of characters were established to have significant meaning that goes beyond just being a title chosen for each individual involved. I think your post could have given a better look at how ther Black Legend, or the conflict between Spain and England in the 1600s, influenced this process, because in your article it felt like more of a tangent than a concluding point of analysis. I thoroughly enjoyed this blog post, as it was very informative and went into great depth regarding Shakespeare’s possible motives for naming Caliban as he did. (Nerd alert: The digitized copy of Purchas available through archive.org was originally owned by John Adams, second president of the United States, and you can see his signature in the top right corner of the title page.) , Caliban is the name of a character from Marvel comics. (De las Casas 10-11). With your interest in rebellion and resistance, I think you will find our readings that begin next week really interesting, particularly Aimé Césaire’s rewriting of The Tempest with a much stronger, more heroic, and more politicized version of Caliban. "Caliban appears to be derived from the Gipsy cauliban, 'blackness'", in: K. E. Chambers, Shakespeare's Caliban: A Cultural History. But other interpretations are possible. Jourdain claims that “the Ilands of the Barmudas, as every man knoweth that hath heard or read of them, were never inhabited by any Chiftian or heathen people, but ever esteemed, and reputed, a most prodigious and inchanted place, affording nothing but gusts, stormes, and foule weather,” and thus they have been shunned by European explorers and settlers of the New World (8). Through Prospero’s ownership, Shakespeare views Caliban as a lesser being. To distinguish them from the Caribs who lived on the mainland of South America, Europeans came to call these people Island Caribs, and they later discovered that the Island Carib men spoke Iñeri in public and to their families, but spoke a reduced version of a Cariban language among themselves. There are so many interpretations of Caliban and his purpose in The Tempest, and adding historical contexts only brings more questions and possible arguments to be pursued when questioning Shakespeare’s intentions. Rousseau might be thinking here of Montaigne‘s “On the Cannibals,” which we read for class today and which depicts the Tupinamba people of the Amazon and their rituals of eating human flesh. Often times we may overlook such characters and not think much of them; however, what makes Caliban unique is that he is a personality that has been interpreted in NUMEROUS ways, by different people for many years. Between 1585 and 1604, England and Spain were in a state of constant but undeclared war, and there was a great deal of Anti-Spanish propaganda circulating in London when Shakespeare was writing his plays. (Exeunt is the Latin plural of exit, meaning Falling in Love With Hominids (361 words) [view diff] exact match in snippet view article find links to article One of the things I’d like to do in this blogpost is introduce you to the enormous wealth of digitized books available on the internet, particularly through a service called Early English Books Online (EEBO), which includes virtually every piece of material published in English between 1473 and 1700. The ambiguity of the word “cannibal” and its different forms is I believe what helps make Caliban such a multi-dimensional character. How Shakespeare portrayed all his cast it is a purely functional library for creating backends... 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