I cannot ever recommend someone going this route unless you are extremely desperate. I’ve been obsessed with drums and percussion (especially all the gear) since day one of playing. If you play in a band and just play local shows around town, you probably don’t need them yet. The kit consists of an f5 for snare, three f2 mics for toms, two f9 condensers for overhead use, and one f6 for a kick drum. These are some of the best drum mics around, and represent the industry standard for recording drums in live applications as well as in the studio. I’ve toured enough to know that these microphones are “the go-to” live tom microphone, and even some use it on snare drums. The sound engineer won’t be sending the overhead channels to the PA and that’s okay. This technique is generally used to capture the stereo image of a drum kit when in a studio, but can also be used to record an orchestra, an audience for a live recording of a concert, or even just an acoustic guitar in a room. The microphone itself looks identical to its Shure counterpart, but sounds very thin and will clip easily as you give it more gain. Because of this, it is a complete product that will suit your needs. All of the dynamic mics excellently pick up a full and well-rounded sound from the drums, whilst the overheads are sensitive and crisp. If you’re just starting out, I suggest you stick to these and only these. The sound obtained from these microphones is crystal clear. Two or three well-placed quality microphones will lead to a better result than ten poor quality microphones that are set up incorrectly. This list features the best drum mic kits available to suit all different budgets. Included in this pack are 7 professional microphones used for recording a full drum set, all the mounting clips as well as a heavy-duty aluminum flight case. Starting off with the most affordable kit on the list is the CAD Audio Stage 7-Piece kit. The f9 overheads are pin-sharp and easily capture all the nuances of the cymbals. I hope this buyer’s guide has helped you with your search for the best drum mics available on the market! Up next for review we have the Sennheiser 600 Drum Mic Kit – that features 7 instrument-specific drum microphones for complete drum recording. They are small and unobtrusive and are well built. For toms and snare there are four P4’s. In a close second place, we have a complete premium drum-recording solution – the Audix DPD 7-piece drum mic kit. After you have purchased your set of best drum mics, you will also need various other components to begin recording drums into a computer. One can consider each cymbal and drum as a separate instrument, and close- mic these accordingly, ending up with nine or more microphones. To have fantastic sounding drums on a mix, the very first step is to capture great sounds at the source with the best drum mic kit you have access to. For the money you get 3 tom mics, a snare mic, a bass drum mic and 2 overheads. I can’t come up with any other reason that you would want to pick up this kit. They are a popular choice for performers, producers, and engineers everywhere. This professional-grade drum mic pack includes 7 drum microphones from Sennheiser’s flagship range of mics. The mixer has virtually no connectivity options to work with a DAW on a computer, so you are restricted to the on-board recording capabilities of the included Sabian drum mixer. Don’t underestimate the power of a crowd microphone, Why you might not need a drum mic kit, yet, The Best Drum Mic Kits of 2020 – A Quick Glance, GetGood Drums: A Complete Overview of the 3 Drum Libraries, The Best Audio Interface For Recording Drums, 6 Of The Best Overhead Mics That Will Bring Your Drum Kit to Life, Moeller Strokes: How to Play and a Quick History, Sonic Rebel to Release New EP: Interview with Tammy Hurt, Sennheiser e602-II kick drum microphone (1), Sennheiser e604 tom/snare drum microphone (4x), Isolates the microphone signal from noise in the room, Isolates the microphone signal from other instruments around it. But it is worth noting that this pack will not offer the quality of the premium audio brands that feature in this list. No one ever wants more hi-hat in a live mix. Unless you’re playing clubs to 300+ people every night, I personally believe you do not need a hi-hat or snare bottom microphone. If it’s worth it to you, set up those addition microphone stands and cables. More interestingly, they are wired mics you can use for capturing the quality sound of percussion instruments. They also sound great, which shouldn’t be a surprise. This is will minimize some of the reflections from the concrete walls and hopefully will give you a better sound in your overhead microphones. Not all drummers need drum microphones right away. That said, for rock and metal mixes, it performs flawlessly. Also included in this drum mic kit is a heavy-duty carrying case as well as three rugged drum mounts to attach the SM57s to your drum hoops. The SM57 is the most popular instrument microphone in the world and offers versatile, legendary performance. A common kick out microphone is the Beta 52 from Shure. A concrete basement? Also included with the set are mic clips and mounts. It still can work great. Just skip the room microphones. They are just as rugged and deliver a rich and full sound. 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