lamentations of jeremiah lyrics

The Book of Lamentations is recited annually on the Tisha b'Av, the anniversary of the destruction of both of the Jewish Temples as well as numerous other unfavorable days in Jewish history. Tallis's two settings happen to use successive verses, but the pieces are in fact independent even though performers generally sing both settings together. Recodare, recodare, recodare! O vos omnes! How lonely sits the city that was full of people! Chapter 5 is a prayer that Zion's reproach may be taken away in the repentance and recovery of the people. Si est dolor, dolor, sicut dolor! These letters were considered part of the text in the Latin Vulgate Bible of Tallis's day, although most English translations omit them. Viewing lyrics for T. Tallis: Lamentations of Jeremiah, Part 1 by Erik-Peter Mortensen. Many elements of the lament are borne out in the historical narrative in 2 Kings concerning the fall of Jerusalem: Jerusalem lying in ruins (Lamentations 2:2 and 2 Kings 25:9), enemies entering the city (Lamentations 4:12 and 2 Kings 24:11), people going into exile (Lamentations 1:3 and 2 Kings 24:14) and the sanctuary being plundered (Lamentations 1:10 and 2 Kings 24:13). O Domine! Thomas Tallis made two famous sets of the Lamentations. She weeps bitterly in the night, tears on her cheeks; among all her lovers she has none to comfort her; all her friends have dealt treacherously with her, and they have become her enemies. They repeat from their well-worn Hebrew Bibles and prayer-books the Lamentations of Jeremiah and suitable Psalms.". O vos omnes! [1] In the second, third and fourth chapters, the order of the 16th letter (ע) and the 17th (פ) is reversed. Lamentations was probably composed soon after 586 BC. It is said that Jeremiah retired to a cavern outside the Damascus gate, where he wrote this book. O vos omnes! An elegiac poem, composed by the prophet on occasion of the destruction of Jerusalem by Nebuchadnezzar. Recodare! O vos Omnes! כְּאַלְמָנָה; רַבָּתִי בַגּוֹיִם, שָׂרָתִי בַּמְּדִינוֹת--הָיְתָה, Ah Ah לְאֹיְבִים. According to F. W. Dobbs-Allsopp, "the widely observed unity of form and point of view... and general resemblance in linguistic detail throughout the sequence are broadly suggestive of the work of a single author," though other scholars see Lamentations as the work of multiple authors. Most commentators see Lamentations as reflecting the period immediately following the destruction of Jerusalem in 586 BC, though Provan argues for an interpretation that is ahistorical. Ah! mine eye runneth down with water. In chapter 1 the prophet dwells on the manifold miseries oppressed by which the city sits as a solitary widow weeping sorely. Videte, videte, videte, videte! Recodare meus! Chapter 4 laments the ruin and desolation that had come upon the city and temple, but traces it only to the people's sins. As many other composers do, Tallis also sets the following: The announcements: Incipit Lamentatio Ieremiae Prophetae ("The Lamentation of Jeremiah the Prophet begins") and De Lamentatione Ieremiae Prophetae ("From the Lamentation of Jeremiah the Prophet"), The Hebrew letters that headed each verse: Aleph, Beth for the first set; Gimel, Daleth, Heth for the second. Atendite, atendite! Recodare! Erik-Peter Mortensen, alto, tenor 1, tenor 2, baritone (doubled), bass (doubled). מְנַחֵם, מִכָּל-אֹהֲבֶיהָ: כָּל-רֵעֶיהָ בָּגְדוּ בָהּ, הָיוּ לָהּ It is said that Jeremiah retired to a cavern outside the Damascus gate, where he wrote this book. Kraus argues that "the whole song stands so near the events that one feels everywhere as if the terrible pictures of the destruction stand still immediately before the eyes of the one lamenting.". Atendite, atendite! Recodare domine intuere respice! Readings, chantings, and choral settings, of the book of Lamentations, are used in the Christian religious service known as the Tenebrae (Latin for darkness). Recodare domine intuere respice! He hath builded against me; and compassed me with gall and travail. "In the face of a rocky hill, on the western side of the city, the local belief has placed 'the grotto of Jeremiah.' 39:1-10 and Jer. The settings are of the first two lessons for Maundy Thursday. She that was a princess among the cities has become a vassal. Her gates have sunk into the ground; The first, second, and fourth have each twenty-two verses, the number of the letters in the Hebrew alphabet. Tallis's use of 'Heth' rather than the correct 'He' appears to have been an error, The concluding refrain: Ierusalem, Ierusalem, convertere ad Dominum Deum tuum ("Jerusalem, Jerusalem, return unto the Lord thy God") – thus emphasising the sombre and melancholy effect of the pieces. The work is probably based on the older Mesopotamian genre of the "city lament", of which the Lament for Ur is among the oldest and best-known. 1:1 ALEPH. Facta est quasi vidua domina gentium; princeps provinciarum facta est sub tributo. Si est dolor, Recodare! Plorans ploravit in nocte, et lacrimæ ejus in maxillis ejus: non est qui consoletur eam, ex omnibus caris ejus; omnes amici ejus spreverunt eam, et facti sunt ei inimici. In the Coptic Orthodox Church chapter three is chanted on the twelfth hour of the Good Friday service, that commemorates the burial of Jesus. In the Septuagint and the Vulgate the Lamentations are placed directly after the Prophet. Recodare, recodare, recodare, recodare, recodare, recodare! O vos Omnes! My flesh and my skin hath he made old: he hath broken my bones. The Book of Chronicles says that Jeremiah did write a lament on the death of King Josiah. 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