Neumann’s first tube microphone after an almost 30-year-hiatus. An updated version of Neumann’s stereo microphone SM 2. Neumann sound on stage – wireless! Disc cutting lathe for vinyl. An affordable broadcast microphone from Neumann, made to convey emotion with perfection. It ran on batteries or phantom power. The KM 76 offered switchable patterns (omni, cardioid, figure-8) and operated T-powered. LED indicators provide visual feedback for your settings, and all of the controls are on the back of the microphone to avoid distracting your talent. The M 147 Tube brings back the classic sound of Neumann’s famous tube microphones of the 1950s. The RSM 190 i was a mid/side microphone with the shotgun part delivering the M-component and a second figure-8 capsule system, angled 90 degrees, providing the S-component. It still used an AC 701 tube circuit, but its capsule was a new design with a Mylar diaphragm. The R 21 was a portable disk recorder for electronic news gathering. Neumann’s second attempt at a stage microphone looked considerably more handsome than the KMS 85 introduced a few years earlier. For increased RF-immunity the KM 253 was fitted with a new, larger plug. Neumann TLM 103 Anniversary Edition Stereo Pair - Nickel . The KM 145 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. The KMA (not to be confused with today’s KM A modular microphone system!) The digital Version of Neumann’s high-resolution tri-amplified KH 310 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. Share Quote. Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. A stereo shotgun microphone for broadcast, film, and on-location applications. The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. Tags ; Microphones; Advertisement. AKG C414XLII Reference Recording Microphone, Blue Yeti Pro Studio Recording Microphone, A true all-purpose condenser microphone built for professional recording, Advanced sound transducer inspired by Neumann’s D-01 delivers outstanding impulse fidelity, Smooth frequency response up to 8kHz ensures accuracy, while a slight presence boost brings out clarity and vocal intelligibility, Five selectable polar patterns include omnidirectional, cardioid, and figure 8, as well as two intermediary settings, Three selectable highpass settings and three selectable pad settings let you handle a wide range of recording scenarios, Innovative navigation switch with LED indicators lets you easily control all microphone settings, Acoustically engineered grille tames plosives, Studio Set includes EA 4 elastic suspension mount and wooden presentation box. The new studio workhorse. Introduced in 1967, it has shaped the sound of countless hit records for the past 50 years. It has been used in countless famous recordings. A powerful tri-amplified midfield monitor for demanding engineers. The KM 64 was the successor to Neumann’s KM 54 small diaphragm cardioid microphone. The Neumann TLM 107 multi-pattern condenser microphone is the workhorse mic your collection is missing. The original is back! It was powered via T-power, P48 phantom power had not yet been invented. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105. Large-diaphragm Multipattern Condenser Microphone with 5 Polar Patterns, 3 … The U 64 was a variant of the KM 64 small diaphragm microphone. A special version of Neumann’s flagship small diaphragm microphone KM 56 with switchable patterns (omni, cardioid, figure-8). in speech applications. Thread / Thread Starter Replies / Views Last Post; Old tlm 103 vs new tlm 103. The KM 140 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. A long neck stage microphone for speeches and presentations. But instead of phantom power – which was not yet a studio standard – the U 77 operated on T-power. replies: 297 views: 92557: … Like all microphones of its time, it operated with tube electronics. The Neumann TLM 107 multi-pattern condenser microphone is the workhorse mic your collection is missing. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31. Large-diaphragm Cardioid Microphone with Aluminum Carrying Case and Shockmount - Stereo Pair . I just might end up with a pair eventually. replies: 68 views: 18492: Glenn Bucci 4th August 2019 : Neumann TLM 107 - a new Neumann mic. The first switchable pattern condenser microphone. We mean it. The microphone, its shock mount, and the exclusive 60s style pop shield featured an attractive combination of polished and matte nickel surfaces. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30. Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. The TLM 50 revived the unique capsule technology of the classic Neumann M 50 of the 1950s and combined it with a cutting edge transformerless head amplifier for lowest noise and distortion. Discover 2014 What else happend . Eight different small diaphragm capsules (KK 120 … KK 185) may be combined with either an analog output stage (KM A) or a digital AES 42 output stage (KM D). Lives for gear . The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Since 2014 it is available again. does a really good job on almost any source. A slight presence boost thereafter brings out vocal clarity, without either inviting sibilance or brittleness. A budget friendly stereo version of the reknowned KH 810 subwoofer. Neumann TLM 107 Large-diaphragm Condenser Microphone - Nickel . The System KM A/D is a modular microphone system for even the most demanding applications. Rare is the recording – whether classical, rock or Pop, news broadcasts or radio dialogue – which doesn’t feature at least one Neumann microphone. A special version of the omnidirectional small diaphragm microphone KM 53 for the broadcast industry. That’s why they developed a special capsule for the TLM 107 based on their D-01 model, which provides you with an impressively flat frequency response all the way up to 8kHz. The digital version of Neumann’s acclaimed TLM 103 large diaphragm condenser microphone. Thanks to the latest amplifier and acoustical components, the KH 810 achieves distortion-free bass extension down to 18 Hz. Learn more Page 10 of 10 « 1 < 8 9 10 Reply OPTIONS. Neumann’s first measurement microphone. 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