Copy the link below and paste it into an email, forum, or Facebook to share this with your friends. Setting Up and Mixing With Parallel / New York Compression in Logic Pro X. Today’s music is really compressed. After a while, I got fed up with my wimpy mixes. I think these New York engineers were on to something! See Pic 2. L, 6 Logic Pro 10 Sampler Features You Need To Know, What's New in Logic Pro X 10.6: First-Look Videos, 7 Reasons Why You Should Consider Upgrading From GarageBand To Logic Pro X, 5 Easy Steps to Live Looping in Logic Pro X. Apple Releases Logic Pro X 10.5.1. In the Mixer swipe over the bottom area of the 4 channel strips to select them and click and hold on the Output slot and select any free Bus. I'd also highly recommend checking out Olav Basoski's Electronica Workflow Tricks tutorial for more Compression, EQ, Side-chaining and Advanced Studio Production techniques. Easy-peasy, no worries, let’s call it a day? In Pic 1, you can see that I have opened a Logic compressor with a “slammed” preset. But it’s certainly a more radical approach to compressing. This compressor has a “mix” knob, which allows me to mix the dry signal of the kick with the compressed kick sound. Let’s try a little parallel compression. Home; Articles. Click and hold on the top insert slot and choose Dynamics > Compressor Experiment with more pronounced compression settings on the "Big Comp" channel strip for a larger bodied feel. Menu. Thanks again for these great tricks. Menu. In fact, it's a technique that, whilst commonly applied in the Mixing stage, can even be used when Mastering a track to give it more presence. I've also slapped an Adlimiter on the Stereo Output channel strip. The signal from all the drum channels is now being fed to Aux 1. Enter: Parallel Compression. Now I need a second aux for the compressor. Select all 4 channel strips and click-hold on one their empty Send slots. As an Apple Certified Trainer for Logic Pro Rounik has taught teachers, professional musicians and hobbyists how to get the best out of Apple's creative software. This mix worked very well.Actually, incredibly well. If you're looking for Rounik, you'll most likely find him (and his articles) on Ask.Audio & macProVideo.com. Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. Home; Articles. Rounik is the Executive Editor for Ask.Audio & macProVideo. You've probably heard of parallel compression or New York compression. When you buy products through links across our site, we may earn an affiliate commission. This is entirely optional!! Not so fast! Playing back your project will reveal that you've increased the volume level of the drum sound. It works by mixing the dry (or lightly compressed) signal with a heavily compressed version of the signal. He has been a visiting lecturer at Bath Spa University's Teacher training program, facilitating workshops on using music and digital media tools in the classroom. Change input to "Bus 1" also, and add your drum compression on this strip. Best, The advantage is that the signal is routed out in parallel to a secondary AUX channel, with a compressor instance. You may wish to send from the separate drum channel strips or from the "Dry Drums" Aux channel. Try A/B-ing the parallel compression by toggle muting the "Big Comp" channel strip. A compressor works by lowering the gain when the signal jumps above a certain level or thr. So I started experimenting with Parallel Compression. Our courses focus on artistic skills like Making Music, Video Editing, Graphic Design, 3D Modelling & Game Dev, Photography, and Web/Computer Programming. I open a send on the audio track channel strip to Bus 2 and again, Logic creates an aux for me with that bus as its input. All Articles; Tutorials; News Good point Victor! Logic Pro X – Parallel Compression Unlike Side Chain Compression, parallel compression does not involve the original channels strip audio signal chain. In this tutorial we'll explore how to apply parallel compression using the Bus Send technique in Logic Pro, but you can follow along in Logic Express or any DAW of your choice. I've chosen Bus 20. All Articles; Tutorials; News; Classes. Any other advantages or disadvantages on that front? I'm going to send from the original separate channels. In Logic Pro X, it is simply a matter of changing the audio tracks output to an available Bus, in this case Bus 1, and Logic automatically creates an aux with bus 1 as its input. I'll rename mine "Dry Drums". Now carefully increase the level fader while listening to the loop. All feedback is appreciated! He's built a crack team of professional musicians and writers to create one of the most visited online resources for news, review, tutorials and interviews for modern musician and producer. Label this one "Parallel". I like this better then the drop down menu where you can do parallel compression in the compressor itself. Going Pre-Fader would make it easier if the levels are pretty much where you want them... but Post-Fader means any adjustments you make to the original fader level will be reflected on the Parallel channel... which might be what you want... or might not be. Fantastic, but I have saved the best for last. You explain everything so clearly. Am I missing somthing , are there issues with delay perhalps All feedback is appreciated! This is very useful, Rounik! I've solo-ed the "Big Comp" channel strip and here is what the heavy compression sounds like all by itself: Un-solo the "Big Comp" channel strip and lower the level of the Aux Channel right down until you can hear only the dry drums. This has brought me to a much more ballsy sound in my opinion. Rename the new Aux channel (Input is set to Bus 10), to "Big Comp". Listen to the change as it occurs in Audio Example 2, then listen again to Audio Example 1. Clean drums and compressed drums. Oscillator-Based vs. Sample-Based Synthesis. Not so fast! Parallel Compression in Logic 9 Compressors can be a great way to even out the dynamics of a drum mix, vocal performance or any audio signal. Let’s try a little parallel compression. Logic Class; Home; Articles. I like to add some light compression to the Dry Drums Aux to help all the elements gel together. In Audio Example 3, I have set the Mix knob to the 2 o’clock position and that is pretty nice. I always wondered if using pre fader sends were a good choice for maintaining better stability? Best Of course, the technique required differs from one application to another. Jay Asher knows how, and is here to show you. I can now open another send to create another aux and add a different compressor. The Facts, 6 Logic Pro 10 Sampler Features You Need To Know, Behringer Announces Swing, 32-Key USB MIDI Controller & 64-Step Polyphonic Sequencer, iCON Pro Audio Releases Duo22 Live & Duo44 Live USB Audio Interfaces For Mac, PC, iOS and Android, How To Liven Up Loops Using Cubase’s Built-In Tools. Live 8-week Online Certification Classes for: No Thanks, I just want to read the article. Pronounced compression settings on the first insert slot of the drum sound settings are pretty extreme and resulting. Settings on the first insert slot and choose dynamics > compressor Notice the Ratio, and... Editor for Ask.Audio & macProVideo.com Asher knows how, and once again I have saved the for! 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