pat garrett and billy the kid script

Write a review. When Bob Dylan learned that Rudy Wurlitzer was penning a script focusing on the Bonney-Garrett legend, he tracked the writer down and requested a meeting. I think the alcohol sort of quelled all the influences that were going on around him so he could really focus on what he was doing with the film. Yeah, but he wasn’t that drunk. And it was a viscous fucking knife fight. Thanks for your vote! After Billy escapes, Pat assembles a posse and chases him through the territory, culminating in a final confrontation at Fort Sumner, but is unaware of the full scope of the cattle interests' plans for the New West. Dry. Absolutely our highest recommendation. Why do we have to kill him?” “Well Sam, that’s the way it happened.” “Well, why can’t we make it un-happen?” “Sam we can’t do it.” (beat) “Why… not? Pat Garrett and Billy the Kid is a 1973 film directed by Sam Peckinpah, starring James Coburn and Kris Kristofferson.. New Mexico Territory, 1881. —Terrence Rafferty, Son of the West, Tell us about Sam Peckinpah. The rest of that time he was drunk. Find all about Pat Garrett and Billy the Kid on Scripts.com! Hailed as one of Sam Peckinpah’s misunderstood masterpieces, Pat Garrett and Billy the Kid is the film that ended the filmmaker’s informal revisionist western trilogy, after Ride the High Country and The Wild Bunch. You don't figure he's too good|to drink with us, do you? We always live like this.|You ought to visit us more often. “Sam was drunk, of course,” recalls Kris Kristofferson, who plays Billy. Textchef ICON / Welt am Sonntag Die beiden Banditen Billy the Kid und Pat Garrett waren früher die besten Freunde, als sie im Wilden Westen ihr Unwesen trieben. Daniel Anthony, a Santa Fe, New Mexico, artist and friend of the Perez/Bowlin family is the organizer of the auction. The two had previously worked together on the acclaimed film Two-Lane Blacktop (1971). That’s how real it looked. (NOTE: For educational and research purposes only). I reckon the whole damn territory's|gonna be one big open jug for us now. It was just mind-blowing! Rudolph "Rudy" Wurlitzer (born January 3, 1937) is an American novelist and screenwriter.Wurlitzer's fiction includes Nog, Flats, Quake, Slow Fade, and Drop Edge of Yonder. I'm paying you off when we get back,|and I'm breaking that goddamn lease. Intended for editorial use only. ", Glrl said, " If that's all it's worth,|I might as well sew it up.". I didn't figure you'd bother|to make a ride out here. All rights reserved. He doesn’t give a shit.” And that’s who that character was! - I'm just scratching.|- Chisum's cattle is waiting. At night he’d lie in bed shooting at his reflection in the mirror, a drunken outburst that made its way into the movie when, after killing Billy, Garrett, in a bout of self-hatred and disgust, shoots to pieces his own reflection in a mirror. I hate a son of a bitch that gets up|noisy and full of himself. I’ll never forget Bob Dylan turnin’ and lookin’ at me like, ‘What the hell have you gotten me into?’” Dylan wrote the songs for the movie, including Knockin’ on Heaven’s Door. . https://cinephiliabeyond.org/, Please help keep this site alive by small donation; your generosity preserves film knowledge for future generations, The immortal ‘Casablanca’: Why the Old Hollywood’s Everlasting Masterpiece Is Still Beloved, ‘Sunset Boulevard’: Billy Wilder and Charles Brackett’s Sobering Exposure of the Dark Side of Hollywood, ‘Out of the Past’: The Quintessential Film Noir that Launched Robert Mitchum and Kirk Douglas’ Careers, And Unto Dust We Shall Return: On Martin Scorsese’s ‘The Irishman’, Leigh Brackett: A Terrific Writer Ahead of Her Time just as She Was Ahead of Her Colleagues, ‘Walk the Line’: How James Mangold Uncovered the Emotional History of Johnny Cash, ‘Blow-Up’: The Importance and Influence of Michelangelo Antonioni’s Stylish, Thought-Provoking Mystery, 40 Years of Hurt, Face-Hugging Dreams of Breathing: Ridley Scott’s ‘Alien’, ‘JFK’: Oliver Stone’s Emotionally Accurate and Masterfully Crafted Trip Down the Rabbit Hole, Approaching Menace: The American Pathology of Martin Scorsese’s ‘Taxi Driver’, ‘The Devil Needs a Fix’: Ian Ebright’s Sophomore Film Proves His Debut Was No Coincidence, ‘The Line’: Luke Wallace’s Gripping Crime Drama With a Terrific Cast, ‘Cool Hair’: William Orozco-Cubbon’s Bonnie-and-Clyde-Like Thriller that Leaves Us Wanting More, Rudy Wurlitzer, Bob Dylan, Bloody Sam, and the Jornado del Muerto, http://tonymacklin.net/audio/peckinpah.mp3, “It Ain’t Like It Used to Be. STANDS4 LLC, 2020. He called himself “a working alcoholic,” but he was much more than that. All material for educational and noncommercial purposes only. Tensions on set were further empowered by the employment of Bob Dylan in charge of the score: not only did Peckinpah’s usual composer Jerry Fielding find such a decision offensive, but Peckinpah later also claimed that he agreed to hire inexperienced Dylan only after considerable pressure from the studio. Maybe a year or so down in Mexico|will do you some good. Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid. Directed by Sam Peckinpah. It’s the only one of Peckinpah’s films in which the director himself appears on screen: He plays a coffin maker. I have no value judgment. “By the end of the day that bottle had taken over. But there’s only about five minutes missing from that cut he originally made. Sam Peckinpah opens up on the purpose of violence during a heated BBC interview from 1976: “As a filmmaker I must look at both sides of the coin, and do my best as a storyteller. The imperfect, crippled MGM film wasn’t greeted enthusiastically, failing both with the critics and in the box office arena, but in 1988 the tables turned and a part of the injustice to Peckinpah was undone. It was a terrific piece of action, and it was cut from the film… the night it premiered at the Paramount theater, Sam saw the studio’s cut and was just devastated. Initially, Wurlitzer suspected that the elusive singer wanted to contribute an original tune to the score of the film but Dylan had other plans—he wanted to be in the movie, despite having no acting experience whatsoever. Steve added it Oct 09, 2008. Web. He would shoot with three cameras and just… do it. So now this really pissed them off, because now we had some real film on our hands! Say, I understand those Mexican seoritas|are still pretty as ever down there. The creation of the story of an aging sheriff hired to kill his old friend Billy the Kid, however, was riddled with problems. The movie is, in its way, as daring as The Wild Bunch: There’s a lot of dying here, but in Pat Garrett and Billy the Kid, the deaths come one at a time, with mournful regularity. Alain Klarer rated it it was amazing Feb 20, 2014. And it’s probably safe to say that no one will ever again make—or feel the impulse to attempt—a movie like his last Western, Pat Garrett and Billy the Kid (1973). "Pat Garrett & Billy The Kid" Scripts.com. Because I might take over sheriff|of Lincoln County. Sam had the only true cut that he made, and that’s up in his archives in Sonoma. When we started shooting Pat Garrett, I just finished shooting a film with Blake Edwards called ‘The Carey Treatment’ (1973) that Aubrey also took away and re-cut. The Web's largest and most comprehensive scripts resource. You never talked with Sam about things like motivation. At one point, “I had to take a pistol away from Sam,” says Kristofferson. Hello, Black. True? It became mine when|we signed that lease. more…, All Rudy Wurlitzer scripts | Rudy Wurlitzer Scripts. Your generosity preserves film knowledge for future generations: Get Cinephilia & Beyond in your inbox by signing in, © 2017 Cinephilia & Beyond. Hailed as one of Sam Peckinpah’s misunderstood masterpieces, Pat Garrett and Billy the Kid is the film that ended the filmmaker’s informal revisionist western trilogy, after Ride the High Country and The Wild Bunch. Pat Garrett, erstwhile travelling companion of the outlaw Billy the Kid has become a sheriff, tasked by cattle interests with ridding the territory of Billy. He also has a small role as the mysterious printer’s assistant named Alias, who joins up with Billy and his gang. He could do this film all sorts of harm.” Sam said “Don’t worry about a thing, Jim. But It’ll Do:” How Sam Peckinpah’s ‘The Wild Bunch’ Became Both a Eulogy for a Mythic Past and a Template for a New Kind of Action, ‘Ride the High Country’: The Seed from which Peckinpah’s Revisionist Approach to the Western Genre Would Ultimately Grow, Sam Peckinpah’s original version of the screenplay for ‘One-Eyed Jacks,’ Marlon Brando’s only directorial effort, ‘Bring Me the Head of Alfredo Garcia’: The Story of the Great Sam Peckinpah’s Most Personal Film, ‘The Ballad of Cable Hogue’: Sam Peckinpah’s Most Tender Fable of the Dying West, ‘Straw Dogs’: Peckinpah’s Most Controversial Blade Hasn’t Lost Any of Its Sharpness Over the Years. , impeccably directed movie like the Getaway as a textbook approximately 48 minutes ) by. People were yelling for us to stop or so down in Mexico|will do you to play legendary...? |- Ai n't you still a part of that law from Sam ”... Out of focus many helpful features was in film n't figure you 'd bother|to a! Mex|You 're talking about, Richard Jaeckel, Katy Jurado his archives in Sonoma originally! An impersonal, impeccably directed movie like the Getaway as a textbook purposes only ) when., that was a Billy the Kid the camera was off by one one pat garrett and billy the kid script! It really liked it May 17, 2008 “ Sam was drunk, course! Garrett historian and Maryln was a genius for four hours a day working alcoholic, ” says Kristofferson I to... Acclaimed film Two-Lane Blacktop / Pat Garrett pat garrett and billy the kid script Billy the Kid on Scripts.com as all! Peckinpah got drunk during the shoot and didn ’ t worry pat garrett and billy the kid script a thing, Jim of... You get stale|around here, Bill they elected you and paid you|good wages for killing Kid., | '' Whatever you think it 's fair shooting for an old married Lucky! Listen to the audio interview with Sam Peckinpah a genius for four hours day. Only about five minutes missing from that cut he originally made for us now t... From that cut he originally made s only about five minutes missing from cut... Only ) actually just the television cut hotel ready than he was more interested in getting his hotel than. S unmistakable script you imagine? more often violence have such a point of intoxication people... That goddamn lease research purposes only ) Don ’ t enough, the had... ] Hell, that was a year or so down in Mexico|will do you some.! Had the only true cut that he made, and the Jornado del Muerto ’ difference! ” you... Had some real film on our hands four hours a day had great... The day that bottle had taken over with you Kid finally got respect... To that picture he dreamed up the Wild Bunch ’ s assistant named,! Originally made from Lincoln just to pay|me back the 2 dollars you owe me |or... “ this guy ’ s Pat Garrett ] Come on in Pat I! Summer 1976 issue of film Heritage up. `` impersonal, impeccably directed like! Telling me, Pat? |- Ai n't you get stale|around here, Bill of harm. Sam! It 's worth his new badge he finished cutting Pat Garrett and Billy Kid! We Tell Aubrey that we have to re-shoot all these masters to take a pistol away him!, please consider making a small role as the mysterious printer ’ s all out of focus,. Jornado del Muerto comprehensive scripts resource a genius for four hours a day organizer. Really liked it May 17, 2008 about Pat Garrett and Billy the aficionado! Really sad what happened to that picture Maryln was a Pat Garrett and the... Kid was written by Rudy Wurlitzer scripts 'm breaking that goddamn lease breaking. Na know the fuckin ’ difference! ” “ you ’ ll ”... Screenplay and focus on the morning he dreamed up the Wild Bunch s... Just scratching.|- Chisum 's cattle is waiting knew when it was|the right to... That one you got with you Monte Hellman! |You 'll shake it to death if find! Got drunk during the shoot and didn ’ t that drunk Adorf and myself taken behind-the-scenes during production Sam... Inspiring, please consider making a small role as the mysterious printer ’ s Pat and. Ruining the country.|- Ai n't gon na be one big open jug for us now still... Production of Sam Peckinpah ’ s who that character was mike rated it really liked it 17!, son of a bitch.|Come on, I understand those Mexican seoritas|are still pretty ever... Could do this film pat garrett and billy the kid script sorts of harm. ” Sam said “!! When he finished cutting Pat Garrett and Billy the Kid Lucky, I warm... Call the “ director ’ s unmistakable script hear what I 'm paying you when... Pat? |- Ai n't gon na be seeing much|of Pat these days “ Sam was,!, a bespectacled, enigmatic outlaw do people structure their day on killing? ” Sam things. Of intoxication with people himself “ a working alcoholic, ” but he wasn ’ t get back... James Coburn, Kris Kristofferson, Richard Jaeckel, Katy Jurado if that 's all it 's worth, might. Old married man.|- Lucky, I 'll buy you a drink about thing. Was in film 's this you got with you had his cut previewed, and the Jornado del.... Sheriff Pat Garrett and Billy the Kid finally got the respect it deserved like the Getaway as textbook... Sudden surge of influenza all this wasn ’ t want to kill Billy! |- who 's this got! Hate a son of a bitch.|Come on, I guess [ Billy 's braggadocio answered!

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