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The U 497 featured a K47 capsule and a sophisticated solid state circuit, similar to that of the U 47 fet, but adapted to French radio’s 12V-powering system. A short shotgun microphone, primarily designed for film dialogue. The capsule head KK 204 uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 2000/6000/9000 handheld transmitters and EW G4 300/500 wireless systems. Conceived as an affordable alternative to the venerable U 87, the TLM 103 has since become a modern studio standard. Studio quality sound with outstanding resolution, The complete microphone portfolio for recording and live sound, Professional monitoring for nearfield and midfield applications. The KM 143 combines the KM 100 output stage with the wide cardioid capsule AK 43. The 'Neumann Bottle', the first ever mass produced condenser microphone. The TLM 103 offers everything demanding users could wish for: nuanced vocals with precise reproduction of sibilants and excellent speech intelligibility. Transformerless, switchable Studio Microphone. In the ‚R’ setting the directional pattern may be controlled from the PSU with no special multipin cables required. Nonetheless it still required a dedicated power supply due to its remote pattern control. The capsule head KK 104 S uses a precision manufactured true condenser cardioid capsule and is specially designed for Sennheiser SKM 5000/5200 handheld transmitters. Miniature Microphone for Phantom Powering. The KMS 84 used the same capsule as the KM 84 in a newly designed headbasket with excellent pop protection. The KM 130 combines the KM 100 output stage with the diffuse-field equalized omni capsule AK 30. A powerful tri-amplified midfield monitor for demanding engineers. Powerful compact bi-amplified studio monitor with superb impulse response and resolution. Neumann’s first stereo microphone. The KTM was soon replaced with the KM 74, which was almost identical except for a smaller body diameter. The digital Version of Neumann’s acclaimed KH 120 near-field monitors with AES3 and S/PDIF connectivity in addition to analog inputs. The open mesh headbasket houses a small diaphragm capsule flush mounted in a small sphere. The KMS 104 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight cardioid pattern. Phone Hours | The TLM 103 is fast becoming a standard for home recording and the music industry. The KMS 105 is a studio grade vocal microphone with all the virtues of a rugged stage microphone: excellent pop protection, low handling noise, enormous SPL capability, and high feedback resistance, thanks to its tight supercardioid pattern. Inspired by Neumann’s classic tube microphone U 67, the TLM 67 produces a similar sound with trouble free FET circuity. As requested by the broadcast industry, the KM 256 was fitted with a different plug for increased RF-immunity. The KMS 104 plus is a special version of the popular KMS 104 cardioid stage microphone. Learn More. The K 103 large diaphragm capsule is based on the K 87, well known from the U 67 / U 87 microphones.The capsule has a flat frequency response up to about 5kHz, and above that, a wide flat 4dB presence boost. Neumann sound on stage – wireless! Like the U 87, the U 77 was a solid state successor to Neumann’s classic tube microphone U 67. The KH 410 combines enormous SPL capability with a low frequency reproduction that extends down to 26 Hz. The KMS 150 (hypercardioid) was the precursor to today’s very successful KMS 105. The TLM 103 is addressed from the front, marked with the red Neumann logo on the microphone body. $699.00. The KMF 4 i could operate on phantom power or batteries. The KM 130 was part of the KM 100 series, Neumann’s first modular small diaphragm microphone system. A slight boost in the low frequencies gives the plus version more “warmth” and “weight”. Transistor Microphone for Modulation Lead Powering. It uses the same capsule as the legendary U 47 combined with an innovative transformerless tube circuit. € 1.434,00. The U 87 is the standard microphone for speech and vocals. Due to its complexity on a small footprint the KM 56 ranked among the most expensive microphones of its era. The KM 131 combines the KM 100 output stage with the free-field equalized omni capsule AK 31. Microfono da studio versatile con cinque modelli polari commutabili. Neumann’s first dummy head microphone KU 80 was able to capture a realistic, three-dimensional sound image for headphone playback. The Neumann TLM 103 large-diaphragm cardioid condenser mic boasts a capsule drawn from the U 87 and transformerless circuitry not to mention classic Neumann sound! Introduced as a successor to the legendary U 47 tube microphone, the U 47 fet became a Neumann classic in its own right. The KM 184 is the successor to the classic KM 84 and can handle much higher SPLs, thanks to its transformerless output stage. This website uses cookies to improve your experience. Its tube amplifier was based on the U 47’s, but instead of a large diaphragm capsule it used a tiny high-precision condenser capsule on a long neck to avoid reflections from the microphone body. It is the ideal choice for smaller rooms and smaller studio monitors, such as the KH 80 DSP. In the early 70s people began to think beyond stereo. Neumann’s first microphone with a dynamic capsule. Neumann TLM 103 Condenser Microphone, Nickel. Since 2019 also headphones belong to the product portfolio. Protect & clean your microphones especially for vocal and speech recordings. The System KM A/D is a modular microphone system for even the most demanding applications. , It has made a name for itself as an extremely high quality condenser microphone that specializes in vocals and acoustic guitars, but that can handle just about any type of instrument. The KM 66 was to remain Neumann’s last tube microphone design for almost 30 years. The TLM 103 is a fixed-cardioid, large-diaphragm FET microphone intended for the project-studio market. The U 67 tube microphone was the quintessential studio workhorse throughout the formative years of modern music. Its even frequency response and consistent pickup pattern make it a sought-after microphone for all genres. The KMS 105 D is the digital version of Neumann’s supercardioid stage microphone KMS 105. Like its longer sibling, the KMR 82 i, the KMR 81 i is still in production! Its capsule had a built-in low cut to compensate for the proximity effect. The upper system may be rotated to allow for XY, MS, and Blumlein stereo techniques. Its high directivity makes the KM 185 an excellent problem solver for demanding applications such as drum recording. The SRM 64 consisted of a cardioid condenser capsule and a tube amplifier, hidden in the lower part of the stand tube. Probably the first thing you should know about TLM-103 is that it belongs to the high-end range of condenser microphones, hence it will never be affordable for everyone. By the time the N7000 series was introduced, Neumann had already built mixing consoles for almost 30 years. The KM 73 was an omnidirectional small diaphragm microphone with solid state electronics. Like all microphones of its time, it operated with tube electronics. Exclusive deals, delivered straight to your inbox. Disponibile su … The TLM 103 is a fixed-cardioid, large-diaphragm FET microphone intended for the project-studio market. The TLM 103 is a great mic for any pro or project studio use and, due to its minimal self-noise, it's been used for classical recordings with a wide dynamic range, sampling (especially for very low amplitude sources), and Foley work. The large-diaphragm Neumann TLM-103 Microphone provides platinum-quality sound on a bronze budget, using transformerless circuitry for ultralow self-noise and handling high sound pressure levels up to 138dB. The MM 5 was an update on Neumann’s previous measurement microphones MM 2 and MM 3 with lower noise electronics, but still tube-based. Big sound for small studios: The TLM 102 is Neumann’s most affordable large diaphragm condenser microphone to date. The TLM 103 is a cardioid microphone with a large diaphragm condenser capsule derived from the classic K67/87 capsule of the legendary Neumann U 87. 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